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Professor Mi participated in the following听exhibitions:

路听听听听听 鈥淒eception Island鈥� as a part of the exhibition Soil Strings 鈥� Commoning & Compost听at Blockadia*Tiefsee, Frankfurt, Germany;
路听听听听听 鈥淭he Church of Life鈥� as a part of the group exhibition听Composing Archipelagos听at Contemporary Art Tasmania, Hobart curated by Jasmin Stephens.

She presented at the following talks:

路听听听听听 Postgraduate and Early Career Researchers’ Symposium a virtual conference by the Australian Association for Pacific Studies;
路听听听听听 Unsettling Transpacific Ecologies a virtual conference by the Association for Asian American Studies;
路听听听听听 Island Feminisms: Place, Justice, Movement a virtual panel hosted by the University of Hawai鈥檌 in Hilo;
路听听听听听 Guest lecture銈淬偢銉┨�/伞蓲d藞z瑟l蓹/ a virtual talk for the Global Asias Art and Visual Cultures class at Rutgers University.

Professor Mi鈥檚 work was written about in the following essays:

路听听听听听 Aaron Katzeman, “Burning the American Flag Before the World: Artist-Activist Coalitions in Hawai’i, For the Future,” 109th CAA Annual Conference, 2021.
路听听听听听 Fiona Amundsen and Slyia Frain鈥檚听The Politics of Invisibility: Visualizing Legacies of Nuclear Imperialisms, 2021.

Her work was published in听Nga Tai O Te Ao: the Global Tides听a publication as a result of Aotearoa Global Art Exchange.听

Professor Mi鈥檚 submitted for forthcoming publication her essay 鈥淧acific islands Worlds: Oceanic Dis/Positions,鈥� Pacific Arts Association Journal.